am an Italian painter and for many years I have found so much
pleasure in painting and artistic aims.
During my first years as a painter I researched various techniques.
My pictures depart from certain ideas, studies and in particular,
awareness of what happens in the world.
I paint, I do not use human forms, landscapes or still life
but I retain the fact that man has an important role. In fact,
through an interactive painting the observer engages a fundamental
Any of my pictures can change in form and color in the eyes
of the observers and they only hold an active role within
ones thoughts and movements.
I have undertaken a long study of form through mathematical
and scientific foundations. Through my pictures there is a
logical run, disorder that one can compare, in reality, with
Often this aids my techniques of improvisation in order to
give the appearance of confusion and to create a play between
art and logic; also I do that, no only between improvisation
and geometry but also between the same theory of colors and
it is through an interactive painting, a scientific logic
and a theory of form that can be seen a part of my work.
Many of my pictures are produced with a specific intention.
studies of Russian and French artists have inspired and developed
my art and paintings.
abstract art, symbolism, expressionism, conceptualism and
impressionism they spiral through my scientific bases with
the intention of creating a departure point and a touch of
I have tried to cite many painters, trying to express new
techniques and forms of pictures not yet presented in the
world of painting.
is why, and for other motives, some of my pictures have taken
so long, from the first idea to the realization.
Through study in the course of many years and experimentation
I have begun recently to paint on canvas in the contemporary
only through geometry that binds splashes/patches of color
but also lines on different plains, that play between the
type of line and technique of colorization.
My paintings cannot be 'half' understood since, within the
same painting the nature of the light and of the shade, the
order and the disorder has been made possible.
Besides that point, the lines and surface have given life
to abstract painting and they free them from perspective,
a route where American, Russian and French painters continue
to follow due to the logic of scientific roles.
Asian colors, ancient geometry that European cultures harbor
seem to dance between the brush and the painter and also between
the artist and the observer with the same passion.
If, one day, it will really be considered culture I hope that
everyone is able to realize that it is not personal exhibitionism
but, in particular is able to listen, think and understand.
Hopefully no one is hidden from knowledge and that each one
learns to understand the reasons and culture through a humble
dialogue within precise actions.
is a difficult journey in which to encounter the true and
pure liberty that does not product the effect to understand
the correctness and rules in an artistic form as this.
I continue my comparison of the painting with ones life I
understand the true strength and I always find it in the brush
and in the colors.
you, the observer, will be my true motivation for painting
and my search will be always pointed at the dialogue and in
the continuous discussion between pass and future of my works.
a nice day!