I am an Italian painter and for many years I have found so much pleasure in painting and artistic aims.
During my first years as a painter I researched various techniques. My pictures depart from certain ideas, studies and in particular, awareness of what happens in the world.When I paint, I do not use human forms, landscapes or still life but I retain the fact that man has an important role. In fact, through an interactive painting the observer engages a fundamental role.
Any of my pictures can change in form and color in the eyes of the observers and they only hold an active role within ones thoughts and movements.
I have undertaken a long study of form through mathematical and scientific foundations. Through my pictures there is a logical run, disorder that one can compare, in reality, with motivations.
Often this aids my techniques of improvisation in order to give the appearance of confusion and to create a play between art and logic; also I do that, no only between improvisation and geometry but also between the same theory of colors and form.Therefore, it is through an interactive painting, a scientific logic and a theory of form that can be seen a part of my work.
Many of my pictures are produced with a specific intention.The studies of Russian and French artists have inspired and developed my art and paintings.
Between abstract art, symbolism, expressionism, conceptualism and impressionism they spiral through my scientific bases with the intention of creating a departure point and a touch of various disciplines.
I have tried to cite many painters, trying to express new techniques and forms of pictures not yet presented in the world of painting.That is why, and for other motives, some of my pictures have taken so long, from the first idea to the realization.
Through study in the course of many years and experimentation I have begun recently to paint on canvas in the contemporary style.Not only through geometry that binds splashes/patches of color but also lines on different plains, that play between the type of line and technique of colorization.
My paintings cannot be 'half' understood since, within the same painting the nature of the light and of the shade, the order and the disorder has been made possible.
Besides that point, the lines and surface have given life to abstract painting and they free them from perspective, a route where American, Russian and French painters continue to follow due to the logic of scientific roles.
Asian colors, ancient geometry that European cultures harbor seem to dance between the brush and the painter and also between the artist and the observer with the same passion.
If, one day, it will really be considered culture I hope that everyone is able to realize that it is not personal exhibitionism but, in particular is able to listen, think and understand.
Hopefully no one is hidden from knowledge and that each one learns to understand the reasons and culture through a humble dialogue within precise actions.Painting is a difficult journey in which to encounter the true and pure liberty that does not product the effect to understand the correctness and rules in an artistic form as this.
As I continue my comparison of the painting with ones life I understand the true strength and I always find it in the brush and in the colors.
But you, the observer, will be my true motivation for painting and my search will be always pointed at the dialogue and in the continuous discussion between pass and future of my works.
Have a nice day!
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